Stolen Moments

Shot of the Month – August 2022

Cedar Waxwing, Vermont (9644)

Shhhhhhhhhhhhh……ooh, how delicious.  I feel like one of those paparazzi photographers spying on the rich and famous.  Peering through the bushes with my high-powered lens to capture an illicit embrace.  To get this shot I did lie on my back with my lens resting on my knees – it was the only way to shoot through that small opening in the branches and leaves.

What we actually have here is two lovely Cedar Waxwings performing a courtship ritual known as “courtship feeding.”  Usually, it goes down like this:

The male goes off and finds a suitable gift – this could be a piece of fruit, an insect, or even just a flower petal.

He flies over to the female and lands on the same branch.  He hops, hops, hops his way over next to her.

He offers the gift.  If she digs the guy she will accept it.  Now she hops, hops, hops down the branch away from the male.

She then hops, hops, hops back over to him.  She offers the gift back to the male.  He takes it.

And now repeat, many times.  Eventually, the female eats the gift.

The male will go off and find another worthwhile gift and the courtship continues.  And if all goes well…..well, you know.  Baby waxwings…

Below, this time in black and white, we have the same pair handing off another gift:

Cedar Waxwing, Vermont (9659)

On a different occasion, I found two waxwings in a similar pose.  The birds were highly backlit so it became this silhouette:

Cedar Waxwing, Vermont (7443)

 

Remember this childhood taunt?

Jack and Jill
Sitting in a tree
K-I-S-S-I-N-G!
First comes love
Then comes marriage
Then comes baby
In a baby carriage!

 

I am starting to get an idea of where that came from…

 

Ahhh, courtship feeding – a time-tested strategy shared by bros and birds alike.

 

 

Until next month…..m

 

 

Check out these videos if you want to see some courtship feeding in action:

Courtship-1

Courtship-2

 

And here is a previous post I did on Cedar Waxwings.

 

Nikon D4S, Nikon 600 mm, f/4, 1/1000 sec, ISO 3200, +0.333 EV

Landscape to Lovers

Shot of the Month – July 2022

Lime Kiln Lighthouse, Washington (27-33 HDR)

The Lime Kiln Lighthouse, shown above, is located on the western side of San Juan Island and is in just the right spot to accentuate a sunset image (#6 on the map below).  The lighthouse was built in 1919 and still serves as a navigational beacon to those sailing in the Haro Strait.  This location is also known as one of the best places in the world to view whales from land.  Orca whales can often be seen swimming by from May to September each year.  From this lovely spot, one can also see Minke whales, porpoises, seals, sea lions, otters, and bald eagles.

I arrived at the lighthouse a good hour before sunset to get the lay of the land and try and explore potential compositions.  The water was unusually calm and as the sun slowly set I had an amazingly peaceful hour sitting on the rocks listening to the gentle sound of the water caressing the shoreline.  Ahhhh….seaside serenity at its best.

As the sun slipped below the horizon the scattered clouds began to explode with color.

The clock had started — Time to MOVE!

Non-photographers may not realize that one does not simply walk up to such a scene, raise the camera, snap a few shots, and go home.  No, usually there is an absolute frenzy of activity behind the camera that beguiles the serenity before the lens.

In my case, I was running from one outcropping of rocks to another and frantically adjusting my tripod to find JUST the right position and composition.  This tripod leg up a bit.  This leg, down a bit.  That leg has to go over there.  Nope, this leg is now too low.  Raise again.  Now the horizon is crooked.  Adjust the camera.  And all that is even before figuring out the proper exposure settings.  Once the camera is in the right position I then run through a range of different shutter speeds and apertures to find the best combination that can expose the bright sky while trying to keep the exposure on the building from going too dark.  For this image, I also took a series of shots at different exposure levels that I merged later with software to capture the full range of brightness in the scene.  For more on how that is done, check out this post I did on photographing a lighthouse in Maine.

Ok, got that particular shot?  Now rush over to a different outcropping and do it all again.

With each moment the light is changing and the colors may be getting better, or worse.  With each second that is passing, I am scrambling to maximize what the scene is offering in THAT moment.

This race with the light may last mere seconds, or can go on for 45 minutes.  The pressure/stress can be intense to seize the fleeting moment before it is gone.

Either way, by the end, I am usually exhausted.

But so much fun!!

Is the running around worth it?  Sometimes yes, (usually yes), sometimes not.

On this outing, I captured several scenes that I really liked.  In the above image, we have a classic seascape that oozes serenity and calmness.  It is like a visual sigh for the soul.

But in the image below, I found a completely different story and feeling:

Lime Kiln Lighthouse, Washington (7-12 HDR)

By moving closer, I still captured a seascape with a dramatic sky, but now I found a more intimate scene as the couple on the right becomes more prominent in the scene and turns this into a love story.  The upper image will most likely have the viewer looking outward to the world while the second image will nudge the viewer’s mind inward as s/he remembers a similar sunset embrace.

Photography is about storytelling and by continuing to move around the scene I was able to find two lovely, but very different, stories.  On this night, I was able to go from Landscape to Lovers in just a few feet.

 

Until next month…….

 

 

 

Nikon D850, Nikon 24-120mm (@24 mm), f/10, 1.0 sec, 7 shot Bracket (HDR merge)

Circle of Life

Shot of the Month – June 2022

The natural world is filled with stunning beauty.  I am certainly drawn to it and spend much of my free time trying to capture it with my camera.  However, surviving in the wild is not for the faint of heart as life in the food chain is an endless battle between predator and prey.  Many of us are attracted to the predator as we admire their cunning and specialized skills.  Others root for the prey, especially if said prey is cute and cuddly.

In this post, I will share images where the predator was successful. This post will not be for everyone – if you are squeamish and don’t like to witness this harsh reality, I suggest you skip this month’s images.

In 2021 I went on a safari to Kenya that was focused specifically on the big cats.  We would spend hours searching for lions, leopards, or cheetahs with hopes of witnessing those epic life-and-death struggles.  The trip was so “successful” on that front that by the end we were quite traumatized by the amount of death we witnessed.  We definitely experienced PTSD – Post Traumatic Safari Disorder.  During a 10-day period, we saw a life-and-death struggle almost every day and sometimes several times a day.

Cheetah Mother and Cubs

Cheetah Family with impala, Kenya (6332)

We spent many hours over several days with this cheetah mother and her three cubs.  The female was absolutely stunning looking and was by far the most impressive cheetah I have ever seen.  Cheetahs are often timid and skittish.  Not this female.  She was powerfully built and walked with a confidence and swagger, unlike anything I have ever seen with a cheetah.  Every day she had to find a meal for her growing cubs and we saw her hunt several times.  In the image above mom caught a young impala but she did not kill it.  Rather, she called her cubs over to have them learn/practice how to suffocate their prey.  It was a tough scene to watch as the cubs didn’t know how to effectively apply the neck bite and the death was slow and drawn out.  While it was a sad end for the impala, the cheetah mom had again provided essential food for her family and taught her cubs important life skills that they will need if they are going to survive on their own.

Piglets

One morning we drove to a location where we heard that two cheetahs had been spotted.  As we approached we saw a couple of other vehicles sitting nearby.  We had no idea where the cats were but we surmised that the cats must be sitting or lying in the tall grass in front of us.   We stopped the vehicle and prepared ourselves for a long wait.  But only five minutes later…

“Holy Crap!!”  A warthog mom and her two piglets appeared out of nowhere and trotted down the path towards us not realizing the danger that lurked nearby.

Warthog Family, Kenya (4167)

After a brief stop, the warthog family continued down the road.  The two cheetahs exploded from the grass.  Mom warthog bolted straight ahead while the piglets ran in the opposite direction.  The two cheetahs began chasing Mom but after a few yards, they stopped.  The cats realized that the easier meal was behind them.  The cheetahs changed direction and moments later each had caught a piglet.

In the blink of an eye, the mother warthog lost her entire family.  In this image, we see the two cheetahs fighting over one of the piglets:

Cheetahs with Warthog Piglet, Kenya (4617)

Young Topi and Young Lion

Near the end of a long day, we found a pride of lions stalking a herd of Topi that was about 100 yards in front of our vehicle, a bit off to the right.

Topi herd, Kenya (2443)

While waiting I looked behind our vehicle and saw an adult Topi that seemed to be bleeding.  I looked through the binoculars and saw blood on her rump.  I said, “Hey look, that adult must have been attacked by a lion but managed to escape with those fresh wounds.”  My partner took the binoculars and said, “No, she just gave birth, the newborn is lying just nearby.  That blood is the afterbirth.”  What a wonderful surprise.

Our joy was short-lived.

In the next moment, a young lion cub appeared and ran over and grabbed the newborn calf – most likely his first kill as a very young lion.  The young calf’s “circle of life” was complete in just a few minutes and this emotional roller coaster left us reeling as we careened from joy to horror in seconds.

Lion cub with Topi calf, Kenya (6672)

It was quite dark when I shot this image so the shutter speed was quite slow – the motion blur helps soften this Shakespearean tragedy – a bit.  This was a particularly traumatic day – our day started with the warthog piglets and ended with the topi calf.

But the day had one last surprise.  While watching the young lion run off with the topi calf we heard a commotion back out in front of our vehicle.  We drove over and found that the stalking lion had just captured an adult topi.

Lion with Topi, Kenya (2570)

A very tough day for the topi herd.

But don’t let these selected stories mislead you – we saw multiple other encounters where the prey won the day.  Life is a struggle for all wildlife, predator and prey alike.  In reality, the vast majority of predator hunts end in failure.  Likewise, most young lions, leopards, and cheetah cubs never make it to adulthood.

I admire the beauty in both sides of the struggle.  And I take solace that with each life lost, the “sacrifice” allows others to survive and keep the ecosystem in balance.

 

Ok, I promise, next month, definitely something cute and cuddly…

 

 

Cheetah Mom with Cubs (Nikon D4S, Nikon 200-400mm, f/5, 1/4000s, ISO 720

 

 

Black-shouldered Kite

Shot of the Month – May 2022

Black-shouldered Kite, Masai Mara - Kenya (6701)

This month I share an image of a lovely Black-shouldered Kite (BSK).  I photographed this beauty during a downpour in Masai Mara NP in Kenya (if you look closely you can see the rain coming down).  The BSK gets its name from the dark shoulder patches on its wings and it is the contrast of those dark wings against the white underbelly that first caught my eye.  But as I looked more closely at this bird hunkered down in the rain, I noticed that the head and back are draped in exquisitely blended gradients of gray.  To add a bit more flair the BSK has striking yellow feet, a yellow beak, and dramatic red eyes.

Yes, I am smitten with this little raptor.

So let’s get our terminology in order.  A bird of prey is called a raptor.  A raptor is a bird that mainly uses its claws (talons) to seize prey.  But what makes a Kite a Kite?

For you science types, Kites are birds found in three subfamilies (Milvinae, Elaninae, and Perninae) of the family Accipitridae.  There are about 25 species of Kites found around the world.  Y-e-e-e-aaaah, that’s not super helpful – got anything else?

Here’s what I could find:

  • Kites, as a group tend to have weak legs so they like to spend most of their time in the air.  In flight, kites often flap their wings once and glide for long distances before flapping their wings again.  While gliding, the wings are tucked behind the bird to create minimal air resistance so the bird seems to float through the air.
  • Kites typically have long, narrow wings and tails.
  • Kites often have forked tails. (The BSK has a square tail, so there are exceptions)
  • Kites have small heads and short beaks.  The face of many kites is partly bare as many of them feed on carrion and the bare flesh makes cleanup easier.

The BSK prefers open land and semi-deserts in Sub-Saharan Africa and tropical Asia, and for some reason, they can also be found in Spain and Portugal.

This small raptor tends to dine on rodents, grasshoppers, crickets, lizards, and sometimes on injured birds, small snakes, and frogs.  The BSK is about 12-15 inches (30-36 cm) in length, with a 30-36 inch (76-91 cm) wingspan, and only weighs about 7-12 ounces (200-350 grams).

When hunting the BSK sometimes hovers over a field looking for prey (similar to what kingfishers do over water).  Other times the bird will fly slowly, close to the ground in search of a meal.  And yet other times the BSK will sit on a perch scanning the ground for prey – once spotted the bird will dive down to scoop up the unsuspecting victim.

As for the photo, as mentioned earlier, I love the look of this gorgeous raptor.  I shot with a wide-open aperture to cause the background to disappear into a quiet blur and allow the bird to really pop out of the image.

In the image above I zoomed in to create a nice portrait of just one BSK.  Actually, there were three birds sitting on a dead tree as they waited out the rain together (our portrait guy is on the right):

Black-shouldered Kite, Masai Mara - Kenya (1289)

The two birds on the left are flapping their wings to shake the rain off.

While in Kenya we spent most of our time focused on finding the big cats – lions, leopards, and cheetah.  And boy oh boy, we found a bunch of them.  We had amazing sightings of said cats every day.  And despite all that I have to say that sitting with this wee raptor, as the rain gently plopped, plopped, plopped on the canvas roof of our land cruiser, is still one of my favorite memories from the entire trip.  I had never seen a BSK up close before (via my powerful lens) and it was a wonderful revelation.

 

Until next month….michael

 

 

Here is a fun video of a Black-shouldered Kite hovering (watch how the head barely moves!)

 

Sources:

Wikipedia

The Peregrine Fund

Animals Wiki

All Things Nature (What is the Bird called a Kite?)

 

 

Nikon D500, Nikon 600mm, f/4, 1/1000 sec, ISO 1100, EV +1.0

Back for the Drama

Shot of the Month – April 2022

While living in Vermont I spent many a summer weekend morning in my kayak searching for Atlantic Loons.  This meant getting out of bed very early and driving for 1 to 2 hours in the dark to one of several nearby lakes to ensure that my kayak hit the water before sunrise.  If it all worked out well I would be able to photograph the loons in the golden light just after sunrise.   Occasionally, it all came together:

Atlantic Loon with chicks (7317)

Click here for the backstory on the image above.

One day I reached the lake early and began paddling out into the fog to look for loons.  As the rising sun started to burn off the fog I could finally make out a loon in the distance.  I saw that the bird was swimming to the farthest bank.

Oh no!!

I knew that this meant that he was planning to fly off to another lake.  He was “taxiing” to the far bank to get enough space for take off.  Loons are heavy birds and need a long “runway” to build up the speed for flight.  Check out my post Looner Flight – No Small Feat for more on the wonders of the Atlantic Loon (aka Common Loon).

I started paddling furiously.  I was looking directly into the sun and I wanted to get to the other side of the loon before he took off so I could photograph him with the sun behind me so the bird would be front-lit.

Too late!

The loon started to flap his wings and began his sprint.  I put my paddle down, grabbed my camera, and held down the shutter button.

Wildlife Photography from a Kayak (8011)

With the sun behind my subject, I wasn’t able to capture the rich colors I hoped for but the striking image below is an example of the magic that can happen when the subject is backlit.  In this case, the sun was behind the loon and produced wonderful highlights in the water as the bird skipped across the surface.  I love how his one foot is just kissing the surface of the water.

Atlantic Loon (9604), Vermont

Backlighting allows us to highlight the shape of an animal or explore dramatic light and shadows in a scene.  The lighting in the image below allows us to easily make out a moose walking along a ridge line in the Grand Teton NP.

Moose Silhouette (3619)

In the next image, the backlit grass seems to radiate from within.  The dust adds drama and highlights the form of the bison (Grand Teton NP).

Bison (6909)

Backlighting can create a dramatic rim light on an animal and highlight their fur or feathers as we can see with the moose below.  The backlit plants in this image also add drama to the scene.  On this cold morning, the moose’s breath is also backlit. (Grand Teton NP)

Moose (3154)

Leaves are a natural candidate for backlighting.  Here we have a cathedral of color from these backlit Vermont trees:

Cathedral of Color (6228)

Getting the exposure correct on a backlit subject can be tricky so you will definitely need to experiment with your settings to create the effect you are striving for.  Despite the challenges, shooting into the light, with the sun behind your subject, is a great way to create dramatic images that stand out from the crowd and capture the beauty of nature in a, uh, well, different light.

Until next month…..michael

 

Here are some good articles on tackling backlighting:

Backlighting in Wildlife Photography: Creative Use of Light

Backlighting Wildlife

Master backlighting with your wildlife images

 

 

Nikon D4S, Nikon 600 mm f/4, 1/8000 sec, ISO 640, EV -0.5