Sep

30

Autumnly Abstract

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Shot of the Month – September 2016

Autumn Abstract (5109)

If you dig color then autumn in New England is the place to be.  For a few glorious weeks, your entire world becomes a crazed canvas of exploding greens, yellows, oranges, and reds.  As a photographer, I have often struggled to capture the scale and audacity of the landscapes that Mother Nature majestically painted each year.  The colors in the image never seemed to quite capture the radiance and intensity that assaulted (in the most pleasant manner, mind you) my eye.  The scale was always far too pedestrian — either too close, too far, or just never quite right to inspire and capture the sense of awe I felt in the field.

However, last fall I experimented with a motion blur technique that I read about in one of my photography magazines — the Vertical Pan.  For the first time, I created images that conveyed the cacophony of color that enveloped me on my walks through the woods.  Realism is nice, but these images much better reflect the imprint these experiences have left on my being.

There are three parts to this technique:

Find a Scene that Strikes Your Fancy

Get out there and walk around and look for scenes with bold colors, or great contrast in texture, or some cool shaped tree trunks, or a nice mix of colors…or…or…

Low Shutter Speed

The slower the shutter speed, the greater the blur and the more abstract the image.  I experimented with shutter speeds that ranged from 1/2, 1/3, 1/4, 1/10, 1/20, and 1/30th of a second.  There is no right speed.  It depends on the scene before you and the look that you are going for.  To lower the shutter speed you can set your ISO at its minimum and then close your aperture till you get the shutter speed that you want.  On bright days, you may need to use a polarizing filter to help slow things down, or you can use a neutral density filter to reduce the light to your camera sensor to get slower shutter speeds.

Move the Camera

Point your camera at the scene of choice and lock the focus.  Then, as you press the shutter release button to expose the image tilt the camera down with a smooth motion.  Again, you will need to experiment to find the right mix.  You can tilt slowly, quickly, or somewhere in between.  Sometimes I begin the pan before I release the shutter button.  You can pan down (my usual preference), up, or to the side.

There are endless possibilities.  Keep playing with the shutter speeds as you vary your movement of the camera.  Most will look like junk.  Delete and move on.

Others will be, well, magical.

(I recommend viewing the images below on the biggest screen you can find.  And once you click on one, you can move through the series easily by using your right or left arrow button.)

Until next month…..m

 

 

 

Nikon D4S, Nikkor 28-105mm (@ 105mm), f/29, 1/8 s, ISO 400

 

 

 

Aug

31

A Snake!

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Shot of the Month – August 2016

Common Garter Snake, Baxter State Park, Maine (4269)

Snakes tend not to be a crowd favorite but nature’s beauty comes in many sizes and shapes.  Ok, while these Common Garter Snakes (CGS), photographed in Baxter State Park in Maine are not adorable, nor cuddly, I think that they do have a certain charisma and geometric charm about them.

If you get out in the woods, even a little bit, there is a good chance that you have seen a garter snake.  They are by far the most common snake in North America and can be found from Canada to Florida, from the Pacific to the Atlantic coast, and most places in between.  The CGS is quite adaptable and can live in forests, fields, prairies, streams, wetlands, meadows, marshes, and ponds – it is often found near water.  These snakes are quite harmless though some species of garter snake have a mild neurotoxic venom that may help to immobilize its prey, but its bite is harmless to humans.

Common garter snakes are thin and tend to be about 22 inches in length and rarely get longer than four feet in length.  Given their relative small size the CGS is often preyed upon by large fish, hawks, crows, bears, turtles, birds, foxes, squirrels, raccoons, bullfrogs, and some other snakes.

I know that some people get very afraid when they see a snake.  Trust me, this fellow is not a threat.  His main prey is, are you ready for this? – earthworms.  Yep, this snake is a viscous killer of, Common Garter Snake (0203)earthworms.  See, now don’t you feel a bit silly?   CGS are also very good swimmers and will hunt small fish, frogs, tadpoles, leeches, insects, slugs, and crayfish.  They will also hunt for small mammals and birds when possible.

From the photo, you might deduce that all CGS are small, brown, striped snakes.  Alas, life is not that simple.  Turns out that there is tremendous variability in the appearance of the CGS and you may find them adorned in green, blue, yellow, gold, red, orange, brown (as above), and black.  The CGS is just one out of thirty species of garter snakes that exist, not to mention the various sub-species, so figuring out which is which can be tricky.  Check local reference guides for the state where you saw the snake for more precision on the colors typically found there.

So the next time you are in the woods and you see one of these fellas, take a deep breath, relax, and enjoy one of nature’s lesser-appreciated beauties.

 

Until next month…..m

 

 

Nikon D4S, Nikon 70-200mm @ 200mm, f/11, 1/60 s, ISO 400

Jul

31

Waiting for a Ride

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Shot of the Month – July 2016

Atlantic Loon, Vermont - USA (7317)

 

It was over in an instant.  This “Awwwwwl”-inspiring shot of an Atlantic Loon chick riding on its parent’s back was taken in 1/1,000th of a second.  Sounds easy and pretty painless.  But not so fast Speed Racer — it also took me four years to get my kayak in the right spot to capture this scene.

Why so long you ask?  Let’s break it down.

Atlantic Loons, aka Common Loons, spend the spring and summer on lakes and ponds in Canada and Northern US where they breed and raise the next generation of aquatic birds.  During the first 2 weeks of life, the tiny chicks can often be found riding on the backs of the adults.  Besides being incredibly cute, this behavior helps promote the survival of the wee birds.  When so small the chicks are very buoyant and they have a hard time maneuvering in the water on their own.  Keeping the chicks off the water also helps avoid the dangers from below, such as from large-mouth bass, and avoid danger from above in the form of Bald Eagles (Source).  I have often seen a Bald Eagle circle above a loon family waiting for a chance to pick off a chick.  Also during the first two weeks of life, the loon chicks are not able to effectively regulate their body heat and they lose a lot of heat through their feet when in the water.  Riding on a parent’s back helps keep them warm and if necessary the chicks can seek shelter under a protective wing (Source), as seen below:

Atlantic Loon, Vermont (2967)

So my challenge was to be in the right place at the right time to capture a behavior that only takes place during just a part of a two-week window each year.  And in good light, of course.

In year 1 I had just moved to Vermont and I didn’t know anything about loons, their behavior, where to find them, etc.  By the time I discovered my first mating pair, it was too late in the summer and the chicks were too big for back riding.  Perhaps next year.

In year 2 I returned to the same pond and monitored the breeding pair as they built their nest and incubated the eggs.  For some reason the eggs failed and no chicks.  Sad.  Maybe next year.

By year 3 I was now tracking loons at two different ponds.  In pond #1 the nest was flooded during a thunderstorm and the eggs were lost. At the second pond, I arrived too late (working for a living often gets in the way of photography) and I missed the behavior.  Well, there is always next year…..

In year 4 I was tracking loons in three different ponds.  In site #1 the nest failed.  In site #2 the pair was successful and I managed to catch a couple of days of the behavior and captured a few good shots.  In site #3 I found the chicks on what must have been day 2 or day 3 of their young lives.  Bingo!!  For the next 10 days, I returned to the pond before sunrise each morning and spent a few hours with the loon family before heading off to work.

It was a magical two weeks as I had the chance to glimpse through a fleeting window of opportunity and share in the loons’ first weeks of life.   The experience was definitely a highlight of my time living in New England!

And the image was well worth the 126,144,000.001 second wait.

Until next month….m

 

 

Nikon D4S, Nikon 600 mm, 1.4 TC (effective 850mm), f/8, 1/1000 s, ISO 2500, +0.333 EV, handheld from a kayak

Jun

30

A Dandy Little Flyer

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Shot of the Month – June 2016

Little Bee-Eater (0018)

Click on the photo to see it larger

This month we get a lovely rector-verso view of the Little Bee-eater (LBE) – a dandy little bird in every sense.

Dandy:  “…is a man who places particular importance upon physical appearance, refined language, and leisurely hobbies….”(from late 18th and 19th century Britain)

The LBE is definitely a stunner — both male and female (as seen in this photo) are adorned in a shimmering coat of green, yellow throat, offset with a black gorget, a luxurious rich brown upper breast that fades into a buffish ochre on the belly.  And that daring dash of aqua (?) above the eyes.  Bold and beautiful.

As for the leisurely hobbies – seems that LBEs spend about 10% of their time engaged in “comfort activities.”  This would include sunning themselves, dust bathing, and water bathing.  Dust bathing?–yeah, it helps protect against parasites like mites and flies. (source)

Dandy: “An excellent thing of its kind”

As the title says, Little Bee-eaters are dandy flyers.  Little Bee-eaters catch all their prey while on the wing.  If an insect lands on the ground the bird is no longer interested.  As their name gives away, LBEs eat mainly bees, wasps, dragonflies, and similar insects.  These birds typically hunt from a favorite perch – once a flying insect is spotted, the bird launches into the air, snatches the insect with that powerful, forceps-like beak, and dines while flying or returns to the perch.  Insects with stingers (da-bees) are thrashed against a tree branch as the LBE pinches tightly on the insect to squeeze out all the venom. (source)

I photographed this couple in Botswana.  I also photographed a Blue-cheeked bee-eater in Botswana and you can see some of that dining-at-the-perch behavior here. (you really should, it is a great shot if I say so myself)

LBE Distribution

Little Bee-eater Range

The Little Bee-eater is indeed little.  There are 26 species of bee-eaters in the world and the LBE is the tiniest of them all.  What they lack in size they make up in numbers.  It is estimated that there are 60 to 80 million Little Bee-eaters spread out across Africa.   The bee community must be very bummed about that fact!

Ahhh, the lovely little bee-eater, beautiful but deadly, especially if you are a bee.

Until next month….:-)

 

Nikon D70, Sigma 300-800mm (@650mm), 1/400 s, f/5.6,

May

31

Too Many Stops?

Shot of the Month  Posted by / 3 comments

Shot of the Month – May 2016

Lighthouse, Bass Harbor, Acadia National Park, Maine

Did you know that it is impossible to take this picture, as shot, with today’s cameras?

Uh, you mean the one I am looking at right now.

Yes, that one.

The one that doesn’t exist.

Exactly.

Scratch head…

Photographic equivalent of “Who’s on First?”  (If you have never heard this, stop now, and listen…Comedy Classic!)

Obviously, I did create the image so it does exist.  However, this is not one picture but 7 that have been merged together to accurately represent the scene as I saw it with my eyes.

Today’s digital cameras are amazing, but they still cannot see the world as accurately as the human eye can, yet.  Humans are capable of seeing about 24 different levels of brightness in a scene.  In photo lingo, we would say that people can see close to 24 stops of light, or 24 Exposure Values (EVs).  Today’s best cameras can see about 10-14 stops of light.   Some scenes have a high dynamic range, meaning that there is a large difference in Exposure Values between the darkest shadows in the scene and the brightest highlights.

 

 

 

 

 

 

 

 

The dynamic range of this sunset scene is beyond the capability of my camera.  I could expose for the sun (see the image below that was underexposed at -0.66 EV, but then the rocks in the lower right would be completely black – you would lose all the detail in that part of the picture.  Or, I could set my camera to expose properly for the rocks, but then the sun would be drastically overexposed and just be a white mess (as you can see in the image below that was shot +2 EV ).

Dynamic Range Image-Graphic

Pack up and go home?  Nope.  One solution is to use “High Dynamic Range (HDR) photography techniques.  In HDR photography one takes multiple shots where each image is exposed differently to capture the full range of brightness levels in the scene.  For this image, I took 3 shots that were increasingly “underexposed”, one shot that was “properly” exposed (the camera’s best guess under the circumstances), and then 3 shots that were increasingly “overexposed.”  Here you can see each shot in a row, with the most underexposed image to the far left, and the most overexposed to the far right.

Exposure Range

Through the wonders of software, I was able to merge these shots so that each area was properly exposed in the final image.

HDR-Lighthouse

 

Typical scenes that will challenge the dynamic range of your camera include backlit scenes (strong sun behind your subject), bright skies, interiors (if there is a window present you will probably have a problem), and scenes that include a strong light source.

Most cameras have an “Auto-HDR” mode.  Yes, iPhones and similar smartphones (Samsung Galaxy) have them.  When faced with such a scene turn on the HDR function and see if it helps.

As you can see, although the technology keeps getting better and better (just a few years ago most cameras could only capture about 5 stops of light), we still have a ways to go before matching human eyesight.  In the meantime, with proper use of HDR, you don’t have to let too many stops, stop you from getting that great shot.

Until next month….michael

 

P.S.

Here is an article that also explains dynamic range, amazingly, using the same scene as an example!

Also, did you notice the lone seagull on the rocks?

 

Bass Harbor Head Light Station, Acadia National Park, Maine

Nikon D4S, Nikon 17-24 mm (@ 24mm), f/22, ISO 200, variable shutter speed for 7 shots at -2 EV, -1.33 EV, -0.667 EV, 0 EV, +0.667, +1.33 EV, +2 EV