Michael Despines Photography

Jan

07

10 for 16

Today's Shot Posted by Michael / 5 comments

2016 was a year of transition — we moved across the country from Vermont to Seattle, Washington and we (Nicky and I) both took on new jobs. Between moving and career transition I did not have as much time for photography. We did manage to make two trips to Yellowstone NP (once in the Fall, and once in the Winter) while most other photographic forays were weekend trips exploring our new state. Four of my favorite images were shot in Washington while the other six images were shot in Yellowstone. Click on image below to see it bigger (highly recommended).

The Top Ten for 2016:

#1 Bobcat

One of my earliest forays in Washington State allowed me to see my first bobcat in the wild and produced this amazing view in the Hoh Rainforest. You can read the full story behind getting the shot here.

#2 Marmot

During the summer we visited Mt. Rainier several weekends in a row to try and capture the summer wildflowers at their peak. I didn’t have much luck on that front though I did get this nice shot of a marmot. And in my defense, there are 4 types of wild flowers in this scene!

#3 Great Gray Owl

I spent three magical hours alone with this Great Gray Owl in a forest in Yellowstone NP. Wow.

#4 Bighorn Sheep

On the fall trip to Yellowstone I had my first sighting of a male Bighorn Sheep. Our guide said that this may have been the biggest ram he had ever seen during his 35 years as a guide.

#5 Yellowstone Landscape

A nice sunset in Yellowstone captured using the HDR technique. If HDR is jibberish to you, learn more here.

#6 Robin

I have to admit that I never imagined that an image of a robin would make my top-of-the-year list, but I really like this scene of a robin in a holly tree. Not bad for backyard photography.

#7 Short-eared Owl

I never had much luck in finding Short-eared Owls (SEOs) on the east coast. Turns out that many owls winter over in Washington state. You now know how my winters will be spent…..This shot of an SEO taking off in the snow is my favorite capture so far.

#8 Coyote

Our winter trip to Yellowstone provided my first opportunity at a decent image of a coyote.

#9 Bison

The star attraction of our winter trip to Yellowstone was the bison. I loved the abstract nature of this shot.

#10 Pronghorn in a snow storm

Probably my favorite shot from our winter trip to Yellowstone. One day one, five minutes from the gate at the end of the day as were leaving the park we found this herd of Pronghorn caught in a sudden flurry of snow.

Wishing you a great 2017!

Dec

31

Just Chill’n…

Shot of the Month Posted by Michael / 2 comments

Shot of the Month – December 2016

One look at this image and most of us shudder with cold in sympathy for this poor beast. Some might even clamor — “Help that poor animal, he must be freezing to death.” I am a real wimp when it comes to the cold and I normally walk around the house wearing multiple layers and a fleece — I seem to always be cold. So, upon seeing this bison in Yellowstone NP, standing in deep snow and generally covered in the white stuff, I felt quite despondent for him.

Well, dear friends, the nature science folks tell us that we can all relax. Bison have evolved over millions of years to deal with this type of weather. Our human concepts of what is cold simply don’t really apply in the bison world. When I photographed this bison I was standing in waist-deep snow and it was about 16° Fahrenheit. There was also a gusty wind that would swirl about causing mini blizzards every few minutes such that I would lose sight of this massive beast for a few seconds at a time. In Yellowstone, a temperature of 16° F is considered “moderate” — almost balmy conditions considering that temperatures can easily drop down to -30° F and beyond.

I have been told by park officials that bison don’t feel the cold until it reaches about -40° F. Nope, not a typo. In the winter a bison will grow a coat of woolly underfur with coarse guard hairs that protects them from the elements. This rich coat has 8 times the number of hair follicles compared to cattle. The fur is thickest on the bison’s head, on the front of their body and on their forelegs. When the wind blows us humans will often turn our backs to the wind to avoid the worst of it. Bison have no need for such contortions; given their full fur defense they are quite content to face directly into the onslaught. The bison swings its massive head into the snow to clear the way so that it can eat the grass that lies beneath — the body is so well insulated that the snow does not melt as you can see in this photo.

So, now you know, the next time you see what looks like a poor, freezing bison, you can rest assured that he is most likely doing just fine and is rather, just chillin.

Until next month….michael

🙂

Nikon D4S, Nikon 600mm, 1.4 x TC (effective 850mm), f/9, 1/640 s, +1 EV, ISO 500

Nov

30

Disappearing Pika

Shot of the Month Posted by Michael / 1 comments

Shot of the Month – November 2016

For someone who doesn’t believe in climate change then karma would dictate that said person be reincarnated as a Pika. But before we get to the hot topic at hand, what the heck is a Pika you might ask. I think Pika is an acronym for Probably the most Incredibly Kute Animal. Though, I might be wrong on that.

The Pika is an incredibly cuddly and cute fur ball found amongst the highest mountain ecosystems around the world. “Fur ball” is pretty accurate as a Pika’s body is quite round and she doesn’t have a tail. There are about 30 species of Pika in the world (mainly Asia, North America, and parts of Eastern Europe) with one species found in the United States. The American Pika can be found in Colorado, Oregon, Washington, Idaho, Montana, Wyoming, Nevada, California, and New Mexico. The fine lass (could be a chap, I have no way of knowing) above was photographed in Yellowstone NP.

The Pika is well adapted to surviving in alpine mountain ecosystems which are typically windswept, treeless, and frigid. The alpine zone only represents about 5 percent of the planet’s surface and thanks to climate change, this habitat is disappearing fast. As the mountain tops warm the vegetation changes, the snowpack melts and new predators and pests move in. Most mountain habitats in the Western US have warmed by at least 1 degree F in the last hundred years. In the next hundred years, the temperatures are expected to rise by another 4.5 to 14 degrees.

Pikas literally cannot take the heat. Expose a Pika to temperatures above 78 degrees and she will die within six hours. Yes, really.

In Oregon and Nevada Pikas have disappeared from 1/3 of their previously known habitat. Since the early 1900’s the Pika has disappeared from 8 of the 25 U.S. mountain ranges where they previously lived. Pikas keep climbing higher but once they reach the top of the mountains, they can’t go any higher to escape the deadly heat.

Expect to see the Pika on the Endangered Species list soon. And given current trends, the Pika may become the first known species in the US to go extinct from climate change.

As they say, karma is a b****.

Until next month….m

Nikon D4S, Nikon 600mm w 1.4x TC (@ 850mm), 1/750s, f/5.6, ISO 720

Oct

31

Shades of Gray

Shot of the Month Posted by Michael / 2 comments

Shot of the Month – October 2016

Last month’s image was a cacophony of color amongst the trees. This month’s image captures the quiet stillness of shades of gray by the waters edge. I love how the image transitions from pure white in the upper left corner through shades of gray to deep black in the lower right corner of the image. On this sunless morning in Vermont the lake was quiet and there was no wildlife to be found. While drifting along in my kayak, with not much to do, I came upon this spider’s web and decided to experiment and see what I could come up with. While shooting this image my main focus was on trying to capture the glistening dew drops on the spider’s lair. I paddled around and around trying every position imaginable until I found the angle that worked best. The image was shot with a point-and-shoot camera (Canon G1X).

Converting the photo to black and white was rather easy given that there was virtually no color to be found in the scene. Other than the two corners, most of the image is filled with shades of gray.

Turns out that creating gray can be a rather complicated affair. In the art world painters create different shades of gray by mixing black and white paint in different proportions. Want a darker gray? Add more black. Lighter gray? Add more white. You get the idea. A mixture of just black and white creates a “neutral gray.” Add a bit of yellow, orange or red and you can add a warm cast and create a “warm gray.” Add a bit of green, blue, or violet and you can get a “cool gray.”

In the world of print the CMYK color model is used — cyan, magenta, yellow, and black. All colors are made from a combination of these four colors. To make gray you add equal amounts of cyan, magenta and yellow.

TV and computer screens use a RGB color model – red, green and blue. Red, green and blue light at full intensity on the black screen makes white; by lowering the intensity one can create shades of gray.

On this particular day mother nature made graduations of gray by blocking out the sun with a heavy shroud of fog with a dab of dew thrown in for good measure.

I have to say, I am a big fan of her work……

Until next month…

Canon Powershot G1 X, @ 17.2 mm, f/5.6, 1/60 s, ISO 200,

Sep

30

Autumnly Abstract

Shot of the Month Posted by Michael / 1 comments

Shot of the Month – September 2016

If you dig color then autumn in New England is the place to be. For a few glorious weeks, your entire world becomes a crazed canvas of exploding greens, yellows, oranges, and reds. As a photographer, I have often struggled to capture the scale and audacity of the landscapes that Mother Nature majestically painted each year. The colors in the image never seemed to quite capture the radiance and intensity that assaulted (in the most pleasant manner, mind you) my eye. The scale was always far too pedestrian — either too close, too far, or just never quite right to inspire and capture the sense of awe I felt in the field.

However, last fall I experimented with a motion blur technique that I read about in one of my photography magazines — the Vertical Pan. For the first time, I created images that conveyed the cacophony of color that enveloped me on my walks through the woods. Realism is nice, but these images much better reflect the imprint these experiences have left on my being.

There are three parts to this technique:

Find a Scene that Strikes Your Fancy

Get out there and walk around and look for scenes with bold colors, or great contrast in texture, or some cool shaped tree trunks, or a nice mix of colors…or…or…

Low Shutter Speed

The slower the shutter speed, the greater the blur and the more abstract the image. I experimented with shutter speeds that ranged from 1/2, 1/3, 1/4, 1/10, 1/20, and 1/30th of a second. There is no right speed. It depends on the scene before you and the look that you are going for. To lower the shutter speed you can set your ISO at its minimum and then close your aperture till you get the shutter speed that you want. On bright days, you may need to use a polarizing filter to help slow things down, or you can use a neutral density filter to reduce the light to your camera sensor to get slower shutter speeds.

Move the Camera

Point your camera at the scene of choice and lock the focus. Then, as you press the shutter release button to expose the image tilt the camera down with a smooth motion. Again, you will need to experiment to find the right mix. You can tilt slowly, quickly, or somewhere in between. Sometimes I begin the pan before I release the shutter button. You can pan down (my usual preference), up, or to the side.

There are endless possibilities. Keep playing with the shutter speeds as you vary your movement of the camera. Most will look like junk. Delete and move on.

Others will be, well, magical.

(I recommend viewing the images below on the biggest screen you can find. And once you click on one, you can move through the series easily by using your right or left arrow button.)